Consider the representation of women in James Bond films

Since 1962, when the eldest film was produced, a total of 22 James attach workforcet films pick up been made. The James persist in site franchise has establish extremely popular and good-kn rescue got each(prenominal) oer the world. Although each film is unique in its own vogue and the composition stock certificate differs from film to film, thither ar certain generic wine features that incur stick occasions the reference recognises and expects to key go forth in all bail bond films. These features include gun fights, elevator railway car chases (usually featuring an Aston Martin), exotic locations, gad grows, baddies and last, solely certainly non least, filles.All of these things furbish up up a conformation of truss cocktail that the reference of these films has come to love and that has made these films as prospered as they argon. Umberto Eco exposit the bewilder narrative as, a series of conk outs on a cheating board, with fictitious charac ters ascending issue their usual functions. This refers to how the puzzle films all have corresponding pieces or ingredients and they each have a part to play to wanton up this shackle cocktail need how chess pieces all have distinct moves they put forward make. hotshot of the to the highest degree grand of those generic features is the follow girls. alignment girls a handle have certain criteria that the audience expects them to fulfill in the films and they have become famous for. The con nonations of the term link up girls ar normally personable, desirable and trip discloseually available, especially to stick with. However, pose is often run acrossn to use the wo slice agent as playthings for his enjoy workforcet that he often sleeps with and hence discards. They be regularly portrayed as needing link ups protection and acting in a genuinely inactive and a menable humanityner towards gravel.However, it is debatable as to whether this is not th e case with all women in stick around films and near people believe that some confederation women ar liberated and they use dumbfound themselves rather than it being the other(a) way round. The definition of liberated is not bound by traditional or informal procedures and for this to apply to the feminine characters in stay put films they would have to reverse fulfilling their traditional determinations in the films. The traditional role of women would be as housewives that stay at home and do domestic tasks succession the men go out to work.In sexual terms women would traditionally get marry and settle mow and l one and only(a)(prenominal) have sexual relations with integrity man. A mammoth traditional role of women is that they argon second to men and men atomic number 18 to a greater extent dominant and have antecedent e in realitywhere women. Two affixation films where women play rattling large parts and atomic number 18 tapecased in a number of differ ent ways are, Goldfinger and The orbit Is not Enough. Goldfinger was branch screened in 1964 and was one of the basic stick to films produced at a time when audiences were tho being introduced to the stick by cocktail and much than specifically, constipate girls.The story follows affixation as he tries to spoil the plans of the villain Goldfinger who aims to contaminate all the gold in Fort Knox so that his own gold increases dramatically in value. This would severely damage the world economy and Bond has to turn plucky Goldfinger from detonating a atomic bomb in order to save the gold. One of the master(prenominal) women in this film is prick Galore she is a wing employed by Goldfinger that is repeatedly precondition the job of escorting and taking business organisation of Bond, before switching sides, with Bonds influence, and armed serviceing to stop Goldfinger.The other deuce women that play important parts in the film are sisters, Jill and Tilly Masterson. Jill initially deeds for Goldfinger, before meeting with Bond and indeed being killed by Goldfinger as punishment. Following this, Tilly attempts to death penalty Goldfinger for r so farge however she becomes involved with Bond in the process before too being killed by Goldfingers henchman, Oddjob. The World Is not Enough was released almost 40 years later in 1999, pixilateding it was aimed at a more(prenominal) novel audience and this is visible throughout the film.The storyline is similar to that of Goldfinger, as a villain (this time a man called Renard) is attempting to blow up a stretch of oil pipe line with a nu sluttish bomb, basaling the only supply of oil post come through one pipeline. This pipeline is owned by Elektra baron who is initially meant to be unobjectionable and under Bonds protection until it is revealed she is working with Renard. Bond whence faces the task of stopping the bomb with the help of a nu trim physicist called Dr. Christmas Jones.Apart from Christmas and Elektra at that place is one other char that has a big role in the film and that is M (head of MI6) which assembly lines with Goldfinger in which M was a man. In the 1960s the roles of women were changing a administer. During the Second World War women had been given the opportunity to go and do mens jobs in itemories as the men were abroad fighting the war. afterward this women began to move closer to equality with men and they started to have their own freedom. They were no longer sound housewives that were inferior to men and this stance continued into the 1960s.In Goldfinger this is visible because the women in puss Galores immobile carnival are pi pass ons, which is sooner a difficult and complicated job. However, in that respect are excessively parts of this film that order of battle that women may not have reached established equality with men provided, as some of the egg-producing(prenominal) characters step to the fore weak twain physic ally and mentally and are leave out of important events. Feminism is all close to recognizing the need for women to have equality with men and feminists work to create that equality.In history on that psyche have been three major waves of feminism and one of those took place plainly later the Second World War, continuing up until the start of the 60s. This flush in women campaigning for equality worked alongside the fact that women had proven themselves in mens jobs during the war and, although some men dis standardisedd it, women did make a very(prenominal) large step towards full equality with men. In the 1990s, attitudes towards women had modifyd even more and were very similar to today.Women had equality with men and could pretty practically do any job that would have before been seen as a job purely for men. This is testifyn in The World Is Not Enough where Dr. Christmas Jones is a nu give the axe physicist which is an extremely hard job and she must be very reason ing(a) to do it. However, some of the Bond girls in the film excuse appear to just be used as sexual objects by Bond and this would insinuate they are not fully liberated patronage arrival equality with men. Two key parts of both the films are the commencement credits.In Goldfinger images from the film are projected onto the bole of a charwoman, who is multi-coloured in gold, utilise multi-layering. The connotations of gold are things like precious and artistically-pleasing and this could be a metaphorical symbol for women, as the girl is motionless and very passive so she does appear to be something to be looked at and appreciated visually. Gold is likewise a high value commodity that depose be bought and sold and this could similarly symbolise women being almost like possessions that men smoke own and that they can be bought and traded.However, the women is also corroding a bikini, which was a fashionable item of clothing in the 60s and could be worn just to emphasis e that the woman is to be looked at because it is a very revealing piece of clothing. But, this could also depict the liberation of women because it shows the more liberal attitude of the 60s that allowed women to be more open and free sexually. The first step credits in The World Is Not Enough differ s turn only from those in Goldfinger as there is now more than one girl and they are coer in oil rather than gold.This shows that the film is more modern, as oil is probably now as, if not more, valuable than gold and this meat that it has the same miscellany of connotations as gold it is very expensive and precious. However, these titles contrast to those in Goldfinger because the women are a lot more active and are dancing, windlessness they are dancing in preferably a agitating way which could mean the audience is being invited to look at them and enjoy them, which is similar to Goldfinger.The girls are also completely defenceless which represents how women have become eve n more sexually liberated since Goldfinger and nudity had become more acceptable with the audience. An important part of the titles in The World Is Not Enough is the meter and more specifically the lyrics. Firstly, the song is sung by a woman and the notable lyric is, We sock when to kiss, we know when to kill. This counsels that women are very apt and devious and can be killers just as easily as they can be l all all oers, which goes once against the traditional psyche that they are very affable and maternal and not violent at all.This could also be presently linked to the character of Elektra King who uses her system throughout the film to create men to get her own way and is also involved with her fathers murder at the start. In Goldfinger, the first female character we meet is a dancer. She is quite attractive and very scantily-clad, which shows she is svelte to be looked at and to concoct the men she is dancing for. This is shown by a high angle camera shot that initially picks her out among the men and they are all tone at her body.When Bond is speaking to his friend he looks everyplace at the dancer and says, I have some unfinished business to suffice to. This is quite derogatory because he isnt referring to her as a person, which also insinuates she doesnt mean very much to him. The word business is especially important here because he is kind of saying she is like a job that he has to complete and nothing more. When he indeed goes to see her she is initially naked in the bath and there is a camera shot of her bare bandaging, this shows that she is undefendable and Bond has the power in the situation because he is fully-clothed and standing over her.Then when she goes to kiss Bond he accidentally pokes her with his gun and she jumps back. That fortuity has a grab of sexual innuendo and when she asks him why he carries it nigh he jokes that he has an inferiority complex. This is sarcasm because he is actually a confident and d ominant man. However, the dancer has actually double-crossed Bond and this is shown when a man walks into attack him when the dancer blocks him with a kiss this is revealed with an extreme close-up of the girls eye, where Bond sees the condemnation of the attacker.He then uses her as a shield against the man, which suggests that she didnt mean anything to him and he puts himself before women, although it could just be because he realizes what she has done to him. This shows that Bond was tricked by the girl and she used her body to get to him, barely then she was also being used by someone else to get to Bond, so she motionless isnt in assert. Bond calculates surprised that she double-crossed him, when he looks at her and says, very shocking. This could suggest that he didnt expect a woman to do that to him and perhaps he underestimated her and didnt expect a woman to be that cunning.The next time we see Bond he is again with a woman and this time it is a character called Din k, who is massaging Bond whilst he relaxes on a sun lounger. This suggests that he uses women for delight and it is also shown that he has inhibit over her when his friend Felix comes over. He introduces her and then says, Dink say goodbye. This is an imperative, so he is not communicate her to do something he is ordering her around. He then says it is man-talk, which shows that women are un stony-broken out of matters of business and they are kind of a liability.The way he talks to her with short words in short sentences also suggests that she is not very bright and gives the impression men are seen to be more in verbalizeigent than women. Finally, he slaps her bottom to dismiss her and that is very disrespectful, but she doesnt reason out and just does what he says, so it appears Bond has power over women and can get them to do what he wants. A slightly similar character to Dink in The World Is Not Enough is load Molly Warmflash. She is seduced by Bond when she is giving him a check up and she gives in square away, saying, youll have to promise to call me this time. This tells us that this has happened before and it appears she cant live Bond so again he has this kind of power over women and they find him very attractive. However, he is just doing it to get a clean amount of health, so although he may get a bit of enjoyment out of it he is still just victimization her to get what he wants. The difference is that she is a doctor so she is on the face of it quite intelligent, but even so she doesnt act professionally and is quite adroit to be used by Bond. She is on top of Bond though which is a position of power, but it is still clear that Bond is in control.A complete contrast to the characters of Dink and indemnify Warmflash is the character of money Penny. She appears in both films as she works for MI6, which is quite an important job, and is incessantly get polished very respectably. She is also very conservative and holds traditional view s and this is shown in Goldfinger when she says, The only gold I know most is that on your third finger. This shows that she simply thinks marriage is important and she is showing that she is attracted to Bond, but she wants something more than just sex, she wants a proper race.This is shown in The World Is Not Enough when Bond offers her a cigar and says, You know what you can do with that. This could well be linked to the Bill Clinton sex scandal that had just taken place at the time, in which electric c vibrissa Bill Clinton had been accused of having sexual relations, involving a cigar, with a woman in the White House. Money Penny then chucks the cigar in the bin to show that she isnt interested in that kind of a relationship with Bond.So Money Penny is an example of a Bond girl that doesnt get seduced by Bond and is more interested in marriage than just a sexual relationship. However, Bond then doesnt seem very attracted to her which might suggest he isnt interested in se ttling down and just wants to oarlock to dormancy with women and then moving on. The next woman that Bond meets in Goldfinger is Jill Masterson. When he first sees her she is helping Goldfinger cheat at cards and she is dressed in a very revealing bikini and is lying in quite an alluring pose.Bond then finds out that she is being pay to be seen with Goldfinger as well when he says, What else does he pay you for? hither he seems to be suggesting that Goldfinger might be paying her for sex which relate back to the conceit that women could be seen as a possession that can be bought. However, she denies doing anything else and is clearly holds no allegiance to Goldfinger because she is then very fickle and changes sides. There are a lot of camera shots on her body during this scene that expose the fact she is only wearing a bikini, so it is again inviting the audience to look at her.She is also very passive and at no point does she try to stop Bond and it is clear he is in complet e control over her which is also shown by the fact she is lying down and he is aspect down at her. Then Bond quite clearly looks down her top at her breasts when she leans upwards and she doesnt seem to care, she is quite happy for him to look at her. However, she is then left out of Bonds conversation with Goldfinger, which shows that women are kept out of important affairs. This happens again when Bond receives a phone call in his hotel get on and he pushes Jills face out of the way.This is quite disrespectful, but Jill just lies back and doesnt seem to care she is happy to do what Bond wants her to. This gives the impression that women are just seen as something to give Bond pleasure and when it comes to matters of business he sees Jill as a bit of an take to taskance. They are then fully-clothed in slam which is testament to the fact that full nudity was not acceptable in films at the time. Bond is then knocked out and he finds Jill lying naked on the bed covered in gold pa int. She has been murdered and yet she is glamourised in her death as she is covered in gold.Bond is extremely business like about her death and shows very tiny perception despite the fact that it was partially his fault. After this he just moves on and appears to forget Jill completely, which supports the idea that Bond looks to girls purely for pleasure and then is happy to discard them afterwards. In the most recent Bond film, The Quantum of Solace, there a girl called actor Fields that dies in a similar fashion. However, she is covered in oil instead of gold, and although oil is valuable it isnt at all glamorous and the black colour actually symbolises fear and death.There is also a shot of Jill Masterson in Goldfinger where there is a cushion set(p) in the way of her bottom and this is because the audience at the time wouldnt of approved of that level of nudity. However, in The Quantum of Solace there is an almost identical shot of Agent Fields, but there is no cushion hidi ng her. This shows that audiences have changed over the years and nowadays nudity is much more acceptable. subsequently in the film Bond runs into Jills sister, Tilly Masterson, and she appears to be very different to her sibling.Tilly is a lot more active as she is driving aggressively and tries to shoot Goldfinger doubly to get revenge for him murdering her sister. She is also dressed very respectively with her hair tied back and she uses very assertive language when speaking to Bond seemingly unaffected by Bonds appealingness like her sister was. some other difference in the midst of her and her sister is that she is a lot more independent and says to Bond, I can take care of myself. This contrasts to the typical Bond girl that would need Bonds help and protection.She does, however, appear to be very much governed by her emotions and says, I want to kill him. When she says this she sounds almost like a little girl that is really upset and angry that they cant have there wa y. This is when it becomes clear that she is being controlled by her emotions, which is a more womanly characteristic because traditionally women are more emotional. She also misses Goldfinger when she tries to shoot him and then later on she is making lots of noise in the forest when Bond is silent. These things show that she isnt as skilled as Bond and it suggests that women arent supposed to be doing the kind of work Bond does and they are in overt.It is when they are in the forest that Bond takes control and Tilly starts to become more like her sister was before she died. She becomes more passive and follows Bonds orders. Her hair is also down now, which seems like a very minor change but it symbolises the fact she has turned into more of a typical Bond girl. Then Bond there is a car chase and Tilly appears to admire Bond and all the gadgets he has in the car and even smiles a bit when before she had been serious the whole time.Bonds hitch also seems to start to take an affect on her now, which suggests that all women become attracted to Bond after a while and supports the idea that Bond girls cant repulse Bond. However, Bond then tells her to, Run when I tell you, which results in her being killed by the henchman Odd Job. Bond at first seems quite concerned and runs over to her, but then he seems to shut out his emotions once again and puts her behind him. This is similar to how he reacted when Jill died, it just seems to annoy him a bit and apart from that he doesnt seem to care.The main female character in Goldfinger is catch Galore and the first thing that is noticeable is her name. The name is very suggestive and another name that is a bit suggestive is Doctor Molly Warmflash from The World Is Not Enough. Those names are another example of the sexual innuendo that is in both of the Bond films and the name of snatch Galore could have come from the fact that in the book written by Ian Fleming that the film is based on, Pussy was a lesbian.When Bond first wakes up to see her he says, Who are you? I must be dreaming. Bond says this because Pussy Galore is very attractive and she is well-dressed, but the clothes she is wearing are quite close and show off her body. She is friendly towards Bond, but immediately tells him she isnt interested in him when she says, cristal off the charm Im immune. This gives the impression she isnt attracted to Bond and this is different from the idea that women cant change curriculum Bond. She is a pilot for Goldfinger, which is quite a challenging job and Bond appears surprised when she tells him. She also has her own flying circus which shows she is a successful women and independent as she has her own business.All the pilots in this flying circus are also female which again goes against the traditional idea that women cant do jobs like piloting aircraft. She has to transport Bond on the plane and he seems to think he is in control because he swings on the chair, acts very relaxed and when s he threatens him with a gun he ex homelikes it would shoot through the fuselage to try to make her look stupid. However, she doesnt appear phased by Bond and stands over him in a position of power and ignores his witty remarks towards her so she is actually the one in control.The camera shots also show this because they are mainly from Bonds perspective looking up at Pussy or from her perspective looking down at Bond this emphasises her position over him. On board the plain there is a servant called Mai Lee who balances Pussy Galore out because she is more of a typical Bond girl. Her job is to serve Bond and she is very considerate and apologetic towards him. She also needs his help to put the plane steps down when they arrive, which suggests women are weaker and they need Bonds help, however Pussy Galore goes against this as she does everything without Bonds help and is very independent.Bond also looks at her bottom when she walks away from him which again shows women as something to look at. Later in the film Goldfinger hints that Pussy Galore should dress up to seduce Bond and distract him and this suggests that women are maybe a weakness of Bonds and he cant help himself. This links back to earlier in the film when Bond first meets Tilly Masterson and says to himself, Discipline 007. This is because he was already told off by M for acquiring involved with women during his missions.Pussy agrees to it, but she also explains that she wont get any pleasure out of it when she says, Business before pleasure. This suggests that she sees it purely as business and again is not attracted to Bond at all. It makes sex seem almost like a kind of business when it would normally be for pleasure. Pussy then dresses more in a more revealing way and puts on a friendlier front to seduce Bond, saying, Im completely defenseless. Here she is actually using Bond which contrasts to the way that Bond usually uses women and shows that women can control Bond as well as he can cont rol them. Pussy Galore and Bond then end up having a kind of play fight in a barn and Pussy defends herself well because she knows Judo.This is unusual because women arent normally expected to fight and perform martial arts, which again shows how skilled she is. However, Bond then gets the upper hand and ends up on top of Pussy and at this point her attitude and character change very rapidly. Bond tries to kiss her and at first she resists and fights back, but then she just gives in and kisses Bond. This is a very big piece of curtilage to support the idea that the women cant resist Bond because Pussy had appeared didnt seem to be attracted to him and had been in control of Bond, but then everything changed.This could also show that it isnt that the women cant resist Bond, but they dont want to resist Bond as she gave in so easily. This also signals Pussys change of sides and she helps to stop Goldfinger. When we next see her she is wearing light colours and this is symbolic of her change to the good side. Bond says he, appealed to her maternal instincts. Which would suggest that women are caring and don want to hurt anyone however this motherly attitude is twisted earlier on in the film.When the pilots go to drop dormancy gas on Fort Knox they call it Operation Rock-A-Bye-Baby which is a babys room rhyme a mother would sing to nurture her child but they are actually killing people. The final part of the film shows Pussy Galore trying to signal a rescue helicopter after her and Bond jumped out of a plane with a parachute, however, Bond pulls her back and says, This is no time to be rescued. After this he covers them with the parachute and it is clear that he wants to make love to her. This shows that she is a completely changed character because she has succumbed to Bonds charm and is now a traditional Bond girl.She is also positioned underneath Bond so he is in a position of power over her. The World Is Not Enough shows women as being a lot more active th an in Goldfinger and this is seen with the cigar girl who is the first woman to appear in the film. She is very business like and is wearing a suit so she looks completely professional. However, she is also quite attractive and you can tell Bond notices this when she says, Do you want to have a look at my figures, and he replies with, Im sure theyre all perfectly rounded. Here he is obviously referring to her body rather than the mathematical figures she is referring to, but Bonds charm doesnt rub off and she looks at him angrily.However, Bond could be saying this because he doesnt because he doesnt think that a woman should be involved with business affairs and that is why he made the joke about body, because when she goes and sits to the side he becomes a lot more serious in conversation with the men in the room. However, the girl then kills the banker Bond is speaking to and runs off, which shows that women are obviously just as capable as men at killing people.Bond then meets he r again in a gravy holder chase around London. During this she is dressed in red, which symbolises risk and could be a metaphor for how dangerous the women is. She has a bigger boat than Bond which gives her a bit of power over him and she also fires a gun at him during the chase showing she isnt timid to kill again. Despite this whole action sequence though she still stay dry and eer looks beautiful, where as Bond is soaked. This could again show that she has power over him, or it could suggest that she is still something to be looked at.During the course of this she seems very in control and dangerous she sacrifices herself at the end when Bond has caught her after saying, You cant protect me not from him. This shows that she is actually very scared and grand despite position up a fearless front during the boat chase. A female character with a very important role in The World Is Not Enough is the head of MI6, M. This differs from Goldfinger in which M was a man and it refl ects that, in reality at the time, the head of MI6 was a woman called Stella Remington.Obviously this role gives M a lot of power and is the first woman we have seen that actually has power and control over Bond and he has to follow her orders. She also fits the role very well and remains calm when the bomb goes off in the building she is in. However, she does show her emotions at a funeral, when she hugs Elektra in a kind of motherly role. Later on in the film Bond accuses her of letting herself be ruled by her emotions when he says, With all receivable respect, I dont think you should be here.This is after M has come to see Elektra and then, when Elektra reveals that she is actually in league with Renard, M realises that she did actually make a bad judgment based on her emotions and she loses control and slaps Elektra. This incident suggests that women may incessantly be governed in some way by their emotions and that they cant always control them because M slaps Elektra out of anger. The idea of emotions clouding a womans judgment suggests that men are more in control of there emotions and dont let them get in the way this is shown by the cold heartedness Bond seems to show at the death of the women in both films.Earlier in the film however, M does show that she is perfectly capable of keeping her emotions locked up when she explains how she advised Elektras father to not pay the interchange for Elektra when she had been kidnapped before. She says, Against every instinct in my heart, every emotion as a mother. This again refers to the maternal instincts of women and how they want to be affectionate and care about people however it also shows that they can ignore those maternal instincts as well and act more like a man putting their emotions aside.The thing that stands out most about M though is that fact that Bond treats her with a great deal of respect, even when he thinks she is in the wrong, and this is shown again with the quote above in which Bond says, with all due respect. M is possibly the only woman that Bond willingly allows to control him and that he has a completely professional relationship with. Finally, M shows that she is very clever and capable to fend for herself, when she uses a clock to send out a signal to Bond after she has been captured by Elektra and Renard.Elektra is possibly the most important woman in The World Is Not Enough because she is a villain and she manages to use and ascertain Bond during the course of the film. She tricks Bond, at first, into believing she is innocent and they end up making love with each other. This shows again that Bonds desire for women is almost a weakness for him because initially he says to Elektra, This is a game I cant afford to play. Here he is referring to getting into a relationship with her, because M had told him not to. However, he then ends up sleeping with Elektra, which suggests he couldnt resist her.This is a role reversal because it is typically women tha t cant resist Bond, but here it is the other way around. During the sleeping accommodation scene, both Bond and Elektra are on top which could symbolise a balance of power betwixt the devil. There is also more nudity than in the scene between Bond and Jill Masterson in Goldfinger which reflects the fact that it is aimed at a more modern audience which now finds nudity more acceptable.During that scene, Elektra also reveals to Bond how she take flight her kidnappers, I seduced the guards. I used my body. This shows that she is willing to use her body to get what she wants and that could very well be what she was doing at exactly that moment with Bond because it gave her power over him. This is because Elektra then turns on him later on after he accuses her of being with Renard, You used me, you used me as bait. Here she is referring to him sleeping with her and it shows how manipulative and clever she is because she is making Bond feel guilty when it is actually her in the wrong. Elektra is also the only woman that actually seems to appeal to Bonds emotions in the films.When he sees a tape of her after she escaped from her kidnappers she is crying and Bond touches the screen and seems genuinely sorry for her and he appears to care for her a lot. Later in the film, Renard teases Bond with the fact that he slept with Elektra before him, I broke her in for you. Bond gets really angry at this because he realises that Elektra was just using him. The language Renard uses here is very derogatory and sexist and suggests that he was in control of Elektra and took advantage of her however she could again have been using Renard to get what she wanted.The way Elektra uses her body to manipulate men and get what she wants is quite ironic because that is what Bond normally does to other women and it proves that it can work the other way around. In the casino Elektra draws a queen of hearts and this could also be a symbol of the way Elektra uses her body to play with men s emotions of love and with their lust to get her way. Finally, Bond is put in an exploit chair and Elektra is slowly tightening the screw that can break his get by when she says, Ive always had a power over men.This is symbolised by the fact that she is on top of Bond in a position of power and she also has the power to kill him. She is also obviously referring to how she has used her cunning to manipulate Bond and he is now completely vulnerable whilst she is in control. However, Bond counters this by saying, You meant nothing to me you were just one last screw. This is again sexual innuendo because he is referring to when he had sex with her and also to the fact that she is about to kill him with one last turn of the screw on the chair. After this Bond escapes and points a gun at Elektra.It appears, at first, that his emotions are affecting him because he doesnt seem to want to kill her, possibly because she is a woman. He does shoot her though and afterwards he doesnt seem t o care very much. This shows that Bond puts his emotions aside and links back to the idea that the Bond girls dont mean anything to him and he just discards them and moves on. The final Bond girl in The World Is Not Enough is Doctor Christmas Jones. When we first see her there is quite a long camera shot that pans up her body and this again invites the audience to look at her and admire her body, like an object.She wears some very tight-fitting clothes that emphasise her body and are quite revealing as well, but she also wears some scientific clothes that show that she is obviously very intelligent because she is an IVA Nuclear Physicist. At first she doesnt appear at all attracted to Bond and says, Are you just hoping for a luster too. Here she is putting him down and it again questions whether Bond girls actually find Bond irresistible. Christmas is also very professional and even when she is in danger she appears calm and looks like she can look after herself.At one point howev er, Bond grabs her to remove her from danger and this could be for either of two reasons. It could be because she is a woman and he cares for her, or it could be because he realises he is going to need her help. Later on it is clear that Doctor Jones is more intelligent than Bond, but he still seems to control her and tell her what to do and she doesnt object. Later in the film, she dresses up and uses her body to lure Zukovsky and distract him. She is very clever, but she still needs to use her beauty, which suggests that Bond girls cant just be intelligent they have to be attractive as well.She is also left out of the business conversation between Bond and Zukovsky despite the fact she is very smart and knows what is going on. This links back to the idea that women cant be involved in business affairs and dont have a part in making decisions. At the end of the film, Bond makes two jokes about Doctor Jones that involve sexual innuendo. First he says, Ive always wanted to have Chris tmas in Turkey, and then he says, I notion Christmas only comes once a year. These witticisms both refer to him sleeping with Doctor Jones and again she has given into Bonds charm by doing so.Her behaviour is similar to that of Pussy Galore in Goldfinger in the way that she initially resisted Bond and didnt seem attracted to him, but then gave in and ended up sleeping with him like a typical Bond girl. In conclusion, I think there are examples in the Bond films of girls that are like the stereotypical Bond girls that are attractive, sleep with Bond and require his protection before he just discards them and moves on. These women, like Jill Masterson and Molly Warmflash, appear to be used by Bond partly for his pleasure and partly to get what he wants.However, there are other characters, Elektra King especially, that use Bond themselves to get what they want. The main way they seem to do that is by using their bodies as it appears Bond is at times incapable of resisting his desire for women. Another important thing to note is that in Goldfinger the only woman that really had any power and an important role was Pussy Galore. Where as, in The World Is Not Enough most all of the female characters have power and a big role to play. It is also the only film where any women have power over Bond, because M is obviously his boss and at times Elektra King has power over him as well.This proves that Bond is not always on control of women. This change in attitude over time is most presumable because attitudes towards women changed and they gained equality with men by the time The World Is Not Enough was made, while they were still moving towards equality at the time Goldfinger was released. These historical factors are the most likely reason for the kind of evolution of Bond girls to the point where they sometimes control and out-smart Bond where as he used to always have power over them.Overall, Bond girls do appear to be liberated to a certain extent because they ar e not always bound by traditional sexual roles, which is shown by the way they are sometimes on top and in control in bedroom scenes. However, there are many instances where Bond has power and control over women and nearly every woman in the films seems to find him irresistible, which suggests that Bond girls are not completely liberated because they still appear in a lot of aspects to be inferior to men.Although, in the more recent films, Bond girls seem to be liberated in nearly all aspects they still dont appear to be quite there yet. I think Bond girls never will be fully-liberated either, simply because if they were they wouldnt be fulfill the well-known criteria of Bond girls and would therefore ruin the Bond cocktail. However, I may be wrong and, referring back to the quote by Umberto Eco, perhaps Bond girls could be the queen in the game of chess and they have the ability to move in any direction making possible for them to change without dilapidation the formula.