King Richard Iii and Looking for Richard Essay Plan

ESSAY PLAN Intro * twain Shakespeares Richard triad and Al Pacinos Loo queer for Richard both portray cardinal values and ideas of the time. * The texts ideas are reflected by the perspective of the time. * both texts written in diametric time periods meaning completely dissimilar contexts which shape the text. * Through Pacinos crown of thorns style docudrama, he attempts to demystify Shakespeares Richard III, ma queen mole rat it more than(prenominal) cordial to the universal person. Shakespeare shows the journey in Richard III of Richard himself on his dark quest to becoming king by both using his literary skills and executing to attain what he desires, in the end being supply. * Both texts use propaganda provided whereas Shakespeare on the wholeudes to the Tudor Myth which is ingratiating himself to his patrons. Whereas Pacino is being more provocative. He is challenging the sureness that the British literary world has everywhere Shakespeare. * Both texts al so use procedure to connect ideas between the two parity bit 1- Richard III * Context War of the Roses at unrivaled time that his field has won the battle.He wants to be king Tudor Myth had to ingratiate to the Tudor house and uphold their reign. This too is angiotensin converting enzyme of Pacinos main challenges as he is expressing an egalitarian society where all good deal and their views are equal as he speaks to various muckle on the street. thus far Shakespeare had to ingratiate his monarch, the Tudor House and figure Tudor patronage. * Throughout the entire simulated military operation, Shakespeare depicts Richard as a painful Machiavellian. Who Nicollo Machiavelli described in his book which was written in Shakespeares time is when a person whitethorn use craft or misrepresentation in order to maintain or fulfil place.Shakespeare presents Richard in this way as he was from the House York which is what the Tudors opposed when they runner came to power. * O pening soliloquy See Richards straightforward typesetters case and his intentions in the play. Recognises himself in the play, I am determined to prove a villain. Metafiction shown. Richard feels that he needs to get into power to make up for him being rudely stamped, and Cheated of feature by dissembling nature. * Shakespeare exaggerates and devalues Richard in this manner to perpetuate the Tudor allegory whilst demonising Richard, which institutes the Tudor reign as one of providence and divine sanctioning.Para 2 facial gesture for Richard * CHALLENGES Pacino isnt challenging the actual nurture and ideas expressed in Richard III. except preferably he is challenging the British literary world, and their belief that they hold all the familiarity to Shakespeares plays. He does this invariablely passim the entire film, showing paroxysms of British scholars where he has put them on the spot reservation them seem as if they dont know anything. A great practice of thi s is when he is interviewing Emrys Jones, a well-known Shakespeare academic and he is asked a question to which he responds, I dont in truth know the answer. Straight away the tantrum is cut and immediately followed by a different pictorial matter of Pacino explaining exactly what the British scholar couldnt. The constant use of naked and framing different scene helps Pacino not only challenge the British literary world by giving them the work forcetal object that he and numerous other Ameri butts which he interviewed on the streets hold knowledge near Shakespeare. But also, the fact that he can make it into a film as well proves that they are wrong that the prole holds the power to. You want to do it brain your American accent? Shows jarring which stirs the auditions image that Pacino can stir a successful version of the play. Pacino challenges not only this question, but the actual guess that Shakespeare put forward * REFLECTS I do trust however that in this aspect of Looking for Richard, Pacino challenges the ideas more. In one scene of the play Pacino and Kimball travel to England and visit the house which Shakespeare grew up in, in hope that they would achieve some sort of epiphany of knowledge about the plays. Linking back to the point that the British believe they own the knowledge on Shakespeare.However they pay off that they did not feel any epiphany or difference at all, proving over again that the British do not hold all the power and knowledge everywhere Shakespeare and his plays and that pseudos the like himself can possibly hold more knowledge that the academics and scholars. Para 3 Richard III cognitive operation * Lady Anne scene Richard turns from the monstrous Machiavellian character we see passim near of the play, into a romantic wooer. He uses rhetorical run-in such as pathos to connect with her emotions which assists him in essentially capturing Lady Anne.The fact that Richard had just killed her married man Kin g Edward, with her console being with his coffin just makes Richard seem even more powerful as he still manages to pull Lady Anne into marrying him. Although in this scene Lady Anne proves to hold the knowledge of language too as there is constant stichomythia between the two characters through most of the scene but the line which scoop out shows this is when Richard says Bid me kill myself. I ordain do it. And Lady Anne responds with I apply already. Showing that she can be preferably witty too, but not decent for Richard. Pacino shows his power of being coach by taking out a share of the stichomythia between Richard and Lady Anne which removes some of her agency, that cause Richard to seem more powerful, convincing and in control. Para 4 Looking for Richard performance * CHALLENGES Penelope Allen shows the power of both the imposter and regularity acting. It challenges the fact that women had no rife role in society, whereas in this scene of Looking for Richard, we see her using method acting to get into character in rehearsal and raise her voice over all the other men and women in the room when she says, If he were dead, what would betide on me? Pacino provides the point here that using performance to change into character, can allow women to be completely dominant over men in a modern society. * REFLECTS Both Pacino and Shakespeares Richard both change character to essentially get what they want. Richard, wanting power to be king. Pacino wanting power over his film. Pacino, the star actor and also director of his own film, changes character various propagation throughout the film.One of the key scenes depicting his want for power is when he is being the actor and discussing a few lines in the play with his assistant director, Kimball and Pacino decides to completely change the script. G of Edwards heirs the murderer shall be. Is what the line usually says. But Pacino changes it to, C of Edwards heirs the murderer shall be. This gives Pacino the power as he now has control over both the film and its script. He changes this as he believes it will be easier for people to understand and ultimately once again make the play more accessible for the audience.