Chris Dunbar Professor James English 101A 14 October 2003 Citizen Kane: Intrusion of seclusion The movie, Citizen Kane, gave its audience many interesting and creative shots and slams. It was able to badger peoples minds and was far ahead of its time as far as special effects are concerned. All of the fancy and uncivilized shots that the movie has do raise a question though. The photographic television camera was able to go e very(prenominal)where whether in that location was a timber or not. The camera was the sole typeface that truly had its sustain unique characteristics. What if the media was actually able to dig into someones personal conduct now as well as it did in the film. The kickoff example of this intrusion of privacy is bent-grass in the premier(prenominal) chapter of the movie. I call the scene a chapter because scenes in a DVD version of the film are called chapters, therefrom I will now call each scene a chapter since I watched the DVD version of the movie. In the very blood of the first chapter the camera shows an iron fence with a dogged backdrop. On the fence in big, bold garner is the enounce NO TRESPASSING, this gives the feeling to the audience that guests might loss to work out back to where they came.
The camera only hesitates foresightful enough to withdraw the singularity and then proceeds to go over the sign and into the property. The camera then proceeds, without interruption, to Mr. Kanes personal sleeping accommodation in his palace. The camera is the only one in the inhabit with Mr. Kane as he utters his last words. Rosebud is less read from the lips of the termination man as the! camera is so close you butt count the provide on Mr. Kanes moustache. Another example of the medias... If you lack to get a encompassing essay, order it on our website:
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